Thursday, 30 April 2026

When you look in the mirror who do you see?


Dry heaving into the toilet bowl he silently cursed himself.
Too much. Once again too much. He flushed, and then
came face to face with a man he no longer knew.
Staring at the face in the mirror he asked it: -Who the
hell are you and what have you done with the face
that used to stare at me?
He rinsed his face with cold water, grabbed his
 toothbrush and discovered that the minty taste
of the toothpaste made him feel a little less
nauseous. Good. He had to be at work in 45 minutes.
A consistent drumming on the windowsill told
him that it was raining. -Taxi, I think. 
Donning his Mack he closed the door behind 
him and ran down the stairs to the entrance.
The Taxi was already there. Fifteen minutes later he
was serving his first customer.
As the day went on, the shop became so busy that
he didn't even have the time to have some lunch,
little less contemplate how he was feeling.
By the time closing time came around, he felt
good enough to walk home.

The first thing he did when he came home
from his 2nd job, the one at the night club,
was to look in the mirror. He was curious to find out
whether the strange man he saw in the mirror
that morning was still there.
Yep. Still there, although not looking as rough.
-Who are you???? he asked the intransigent,
obstinate and voiceless mirror. 
No answer. Obviously. Mirrors don't speak.
Or........do they?


If the mirror could speak, what would it
 say to me? he asked the mirror.
Staring so intently at the mirror that the image
 started to blur, he suddenly heard a voice:
-Who am I? The better question is...... who are you?
What?? Rubbing his eyes hoping to see the
image more clearly didn't make any difference.
It was still blurry. Okay. This is madness but
lets play along.
-What do you mean? I am you.
Really? If I am you, what happened to that you?
The you who had dreams, hopes and a lot of love?
-Life happened. Life happens. In a life a person
experiences tragedies, comedies and everything
in between. Life, I have concluded, is suffering.
To be or not to be, is that not the question? he asked the mirror.
That is one question. There are many more.
For instance, why do you drink so much?
Is that why you have suddenly decided to
speak to me? To chastise me? I work
in a night club. Everyone drinks.
Possibly. Drinking alcohol to excess every night
however does affect your mental and physical health.
You know this. This is when the ''stranger'' shows
up in the mirror instead of me.
Those words hurt, he thought to himself.
Looking at the blurry image in the mirror
he thought back to a time when the I,
the you or.... me...? were one and the same.
I'm not happy. I'm not following my dreams.
I'm lousy at relationships. I always get my
heart broken. Meanwhile the years fly by.
You are right mirror, I need to find a way
to become the real me again.
Please, tell me how to do it.
Please help me find me in the mirror again.

After a long silence the mirror finally answered.

The core/real you is a highly sensitive person.
An empath. This means that you are sensitive to others 
needs, feelings and emotions. 
You notice things that others don't.
You are a good listener.
However, because of your sensitivity
you often feel that you don't belong
which may be influencing you to seek
''masks'' to hide behind. 
Such as alcohol, drugs and other
''masking'' behaviours and methods.
The more masks you use the more you will find
it hard to find again the authentic you in the mirror.

-Ouch. Why is my body hurting so much?
Moving his limbs he realizes that he is
laying on the floor beneath the mirror.
-I am so confused, he says to himself as he gets 
up on his feet. He looks at the mirror.
The mirror looks back at him.
The blurriness is gone.
-Wow, what a crazy dream that was.
Was it a dream? A talking mirror. 
Huh. I must be going crazy.
Noticing that it is still dark outside
 he realizes that it's still night.
Still fully clothed he creeps in to
his bed and instantly falls asleep.

Have a good sleep, whispers the mirror.



about the image: Citizen Kane, acrylic on large water colour paper

Wednesday, 22 April 2026

There's a big difference between Bad and Evil..............


 

What does an ''evil'' person look like?
Can such a strong judgement be made by
visuals only?
Considering that some of the worlds most
prolific serial killers and murderers in general
visually often are deemed as ''looking like just
 plain ordinary people'',
how is it that more often than not, once we're
told of their terrible crimes they somehow
now look ''evil''?

The definition of evil ''in them old days'', meant *bad and exceeding
proper boundaries. During the 1800th century however, morals
 was added to the concept of the word. This meant that extreme moral 
wickedness became part of the understanding and use of the word.
Evil, says those in the know, is a concept that existed long before
there were organized religions. 
From an evolutionary, historical and linguistic perspective,
what started out of necessity(survival) as ''bad'' and ''good'',
one may perhaps speculate has evolved into a kind
      of ''moral intuition''.                 *plus a bunch of other things

For years I have tried to understand if it is possible for
something/an act to be considered evil if there is no intention
or calculation behind it. 
If there is no intention or conscious act causing harm
to someone or something, I am wondering if that perhaps 
is not more along the lines of an unintentional outcome
rather than an evil and calculated outcome.
Accidents for instance. An outcome can be disastrous,
non-repairable, the loss of a life even......but if there's
 no intent behind it, does evil really come into it?
I'm scrambling for situations in which the word evil 
can be used without any undertones of moral judgement.
I even find it hard to view acts in nature or by nature 
as evil for instance, although some do.

According to those in the know, we are using the word
 ''evil'' more these days but stat wise speaking, 
acts that are often classified as evil such as
 murder and kidnapping, are not increasing.
It's just that thanks to all manners of Media,
Bad/evil news gets more attention than Good
News. Politically speaking, the more we
are persuaded that the ''others'' are evil,
the more polarized we become.

The above image is a large poster I painted
as part of an Exhibition called Cinefiend.
His name is Dr. Mabuse and though a mere
invention of Norbert Jacques, to me he
represents the personification of an evil person.
''He is a master of disguise and telepathic hypnosis.
He is known to employ body transference through the
use of demonic possession. Sometimes he uses
technologies to build a society of crime.
Mabuse hardly ever commits crimes himself,
instead he works through a network of agents
who enact his schemes thus remaining out
of reach of being apprehended.
Mabuse's agents range from career criminals
to blackmailed or hypnotized innocents who
are so totally manipulated that they don't
even know that they are being used.''

Although Mabuse first appeared in a book
in the 1920's in Germany, personally I can actually
think of a few people who could easily
fit into the criteria above.

*

I have come to think that calling someone ''evil''
instead of ''bad'' can have grave consequences.
I believe it dehumanizes a person, it shows a lack of
empathy and polarizes rather the brings closer
people of different views.
Calling someone ''bad'' on the other hand, for me is a
more adaptive and malleable word.
''He is evil'' sounds judgmental and fixed
in my view.  ''He is bad'' by contrast
sounds to me like ''he tends to make 
questionable choices.''
In other words, a temporary position
in need of an adjustment.
Bad can be changed. 
Evil is fixed.


''Bad is when you ignore the ones you love.
But evil is when you know 
exactly what the ones you love
want and need,
And knowing that,
 you find a way to make sure
that you'll never give it to them.''
(Citizen Z)



about image: Acrylic on large water colour paper

Title: Dr. Mabuse

Friday, 10 April 2026

Feeling unlucky? Take heart, it's just a random apex of possibilities........


Is there such a thing as luck?
Are some people just born lucky and 
some other of us just born unlucky?
Is ''luck'' something magic bestowed on some
very special people or is it something that can
be scientifically proven to be ''real''?
Personally I believe that luck is a term for
a phenomenon based on a cognitive mindset,
 an optimistic and positive perception/interpretation 
of an event/something.......xyz

 Lucky = The apex of random positive possibilities colliding
and interpreted as ''being lucky''.
Unlucky = The apex of random negative possibilities colliding
and interpreted as ''being unlucky''.

-How lucky you are to have been born with so
many creative talents, she said.
-Lucky? How do you mean? I responded.
-Well, nobody in my family has any artistic
talents and I can only draw stick figures, she retorted.

I have been told this so many times that
I have started to wonder what the motivation
may be behind the statement:
''How lucky you are to have been born with so
many creative talents''.
It may be intended as a compliment but 
the way I experience it, it
 doesn't feel like an acknowledgment of all the 
years of hard work, successes and failures and hours of
honing one's skill.
Nor does it feel as an acknowledgment of the sacrifices
made of one's waking time spent in the solitary pursuit
needed in order to become an expert, a master, a virtuoso.

A long time ago when by accident, or destiny? I
became a regular contributor to a small publication,
I wrote a piece on gifts/talents and how I believe
that we are all born with gifts of one kind or another,
 it's just that many of us don't tend to look for it.
If there is an activity that when you do it you
loose yourself, time flies and you feel energized
then that may be your gift.
(And it does not include doing harm to anybody
 or yourself. Or any critter at all.)

A gift is in my view something that begins as a ''seed''
but with perseverance and dedication to the nurture of it
 it grows, expands, develops, and the more we spend time
being/doing/with it, the more creative we become.

''Being creative is often misunderstood as a
stroke of luck or a rare talent, when in reality,
it is a deliberate, consistent and learned process.''
(don't know)

In my view, the one time that I
do believe it's all about luck, is
where we happen to be born.

Half of gifted students 
fly under the radar.
(ABC)


about the image: ''Darkman''  
Graphite on watercolor paper
Some editing in Elements.

Wednesday, 1 April 2026

Illusions may seem friendly......but they can't be trusted


Illusions

Illusions all around me
Faces but no names.
Daily loud reminders
of humans crazy games.

Sometimes I get so tired
Of all this bloody waste.
What will have to happen
For us to our illusions break?

We throw away our souls
Like crumpled candy wrapper.
Chasing fame and fortune
as if that's what really matters.

Or so we tell ourselves
when loneliness prevails.
When our hearts feel weary
as we hide beneath our shells.

When cold winds blow
and fears and worries grow,
illusions are sweet comfort
compared to the unknown.

Illusions, like a house of straw,
may seem real not a lie at all.
But then one day wisdom calls
and down comes all the walls.
(Citizen Z)



''When you look in the mirror,
what do you see?
Do you see the REAL you or
what you have been conditioned
to believe is you?
The two are so, so different.
One is an infinite consciousness
capable of being and creating
whatever it chooses.
The other is an illusion
imprisoned by its own
perceived and programmed 
limitations.''
(David Icke)


about the image: Water colour on bad, bad thin paper.
Edited in Elements.



Sunday, 15 March 2026

Love is not a transaction.........


The trickiest thing with the word love is in my view that it means
so many different things to so many of us.
I mean, like how many different types of love is there?
For the longest time those in the know used to say that there
are four main kinds: Eros(romantic/passion), Agape(compassionate/
non-romantic), Philia(friendship) and Storage(family/close friends).
(These days some say that there are four more kinds of
interpretations of the word: Pragma, Ludus, Mania, and Philautia.
Let me clarify those terms for you: basically they mean Enduring,
Playful, Obsessive and Self-loving.
I, however, I will contend that those terms can easily be a part
of/belong in any of the Four Loves.)


We may say: I love cookies, ice-cream, pizza, dogs,
cats, rainy days, sunny days, flowers, trees, the ocean,
good food, good company, movies, music, etc. etc. etc.
I could go on ad. infinitum.........
 Personally, it seems to me that we use ''love'' rather
ubiquitously(very often) though I'm sure that ''like'' could
work as just well.

Why has the term love become so ubiquitous?(common)
I mean, the way we may love ''the sound of rolling waves''
is not the same way we love our mother or father.... is it?
The way we love our sports team is not the same as
the way we love our children..... is it?
The way we love a movie star is not the same way
we love our partners..... is it?
If we use the same word for our feelings for a pop-star
that we use for our partner, then how deep is our love?
Five love-emojis......15 love-emoji's?
This makes me ponder
how many times we have used a heart emoji to tell
someone that we care about them instead of words.

Emoji's, though I agree can be both useful and funny,
I none the less fear are making us verbally less
efficient and versatile rather than more proficient.
Not to mention how much easier it is to hide
behind a tiny cartoon-ish image than to actually
use precise words to be rude, sarcastic and downright mean.
Imaginative as we are, maybe one day we can skip
words all together and go back to hieroglyphics....?
It's been said that a ''picture paints a thousand words''
which I often find to be true.
But, I also find that a word can ''paint'' a great
many paintings. For example:
Winter-sun, weathered, panoramic, sparkling, shimmering,
futuristic, wind-blown, lovingly, etc. etc.
Not to mention how wordsmiths like Lao Tzu, 
Wordsworth, Shakespeare and Emilie Dickenson
with a few words could sum up the meaning of life.

Love. Romantic love.
Do you know that some stats say that more than
a hundred million songs have been composed
on the subject.
Well, mostly the romantic kind.
Love found, love lost, love beginning, love
ending, love answered, love un-answered,
love lasting, love never starting, secret love,
hidden love, forbidden love, and so on....

A friend of mine once asked me why I never
seem to write about love.
So I asked him what kind of love he meant.
-I mean love-love, he answered.
-What's love-love? I asked.
-Romantic, passionate love, he retorted.
-In that case, why don't you tell me what 
 you take that to mean, I said.
-I mean someone who knows what you need,
someone who is always there for you,
someone who loves you for who you are,
someone who listens to you and comforts you.
-George, stop. What you are describing to me
is not what I would call love-love or romantic love.
-Of course it is. What do you mean?
-As far as I can understand your definition of what
romantic love is, it seems more like a ''wish list'' of what 
you want from your ''lover'' rather than what
you want to share with someone you love.
For at least five minutes George said nothing.
He just sat there staring into somewhere else.
Finally I decided to say something.
-For me, love can not be bought with bags of money,
 Love is not a transaction nor is it
a service one can procure.
Love is not a mere word, it is acting with patience,
tenderness, commitment, compassion, loyalty
and an acceptance of the other as they are.''


-I see, I really do, George suddenly said and stood up
from the couch.
Slinging his bag of percussion instruments
over his shoulder he opened the front
door and then said: Thanks. I need to go see
my wife now. 
With those words he closed the door behind him
and left me somewhat bewildered, confused and perplexed,
.........staring at nothing.

Personally I do not like the inclusion 
of Pragma, Ludus, Mania, and Philautia
as part of the different kinds of love
us humans experience. 
However, I do hope to one day see the term
''Amor Artis''(Love of art) as a kind of very
succinct form of love that us humans experience.

*


about the images: Large canvas with paper shopping bags
glued on top. Then painted with acrylics.
And this morning edited in Elements.
Small painting of ''Pinocchio'' figures
embracing. Acrylic on canvas.

Tuesday, 3 March 2026

The moment and the blade of grass

I could feel it. I had no words to verbalize
what I was feeling, but it wasn't good.
The minute the bus stopped I got off and started
to run. 
As I opened the front door an almost tangible
atmosphere of sorrow and grief greeted me.
I knew. I knew on the bus. Running home I knew. 
Before my dad had even uttered a word, I knew.
My brother, my best friend, had died.
Suddenly I felt as if nothing stood still.
Everything was vibrating.
I was vibrating.
My heart was pounding so hard that I 
thought it was going to burst through
my rib cage.
-Go see your mother, my father said to me.
Looking at the stairs leading up to the
bedroom where my mother was, seemed
an impossibility to me.
-Dad, I can't walk. I'm vibrating and everything is
blurry.
-Come on, he said and grabbed my hand.
Your mother needs you.
Somehow we got to the bedroom.
In the darkness I saw my mother laying
in a fetal position on the bed and crying so much
that everything in the room was shaking.
My father pushed me towards my mother
and told me to go comfort her.
How?
It looked to me as if my mother's sorrow
had weaved a cocoon of grief around her through
which I couldn't possibly get through.
Did she know that I was there?
I was still vibrating.
Maybe vibrating, I thought, can make one 
invisible.
If so, maybe she couldn't see me through
her cocoon.
I got the feeling that seeing me was going to 
make her hurt more, make her cry more,
and I didn't want that. 
So I decided then that there are times when
it is better to be invisible.

It took me seven years before I could shed tears for
my brother. 
The years following my brother's death are
quite blurry at this moment, but, I do remember
a specific moment when I realized that it's up to 
me to chose when to be invisible and when not.

*

The Moment

''Winter is finally over and the snow gone.
The sun is warmer and all the leafless trees
are starting to sprout.
The roads are no longer danger zones.
And the black asphalt,
 now free from snow,
twinkle, shimmer and glow.

Standing at the bus stop
mind somewhere else.
Suddenly a sparkle,
a tiny little drop.

Dancing on the tip
on a new born leaf,
how the drop glistened
on the asphalt strip.''

Seeing this blade of grass, this fragile
little green grass somehow managing
to find its way through layers of
asphalt, caught my attention and
revolutionized my thinking.
One tiny seed, no matter how tough
or infertile the ''soil'', will find a way
to fulfill its potential.

Good news: Our mindsets* are not actually 
set in neither asphalt nor cement.
*the way we view and experience the world we live in

"Once your mindset changes, everything on the
outside will change along with it.''
(Steve Maraboli)

Your life is a reflection of your thoughts.
If you change your thinking you change
your life.
(Unknown)
 

about the images:  top Water colour on paper,
some editing in Elements,
Sad Boy, texter on paper

Wednesday, 25 February 2026

Run rabbit, run rabbit, run, run, run.....

For two years I lived with my little family in
Braunton, North Devon, UK.
The reason we lived there was so that my partner's
mother and father who were quite elderly,
could spend some real time with their grand-son
as well as their son.
They lived a very (what seemed to me)British life.
 Every morning a continental breakfast(English really),
two pieces of toast, some butter and marmalade to
go on top, two medium boiled eggs, a small glass
of juice and a cup of strong English Breakfast tea.
After breakfast Gwyneth would do house chores
and Roy would read the Newspaper.
Lunch would be had at the same time every day.
Usually a cold platter of something and in the afternoon,
a brisk walk unless it was raining so hard not even an
umbrella would help.
The more time I spent with Gwyneth, Roy and other
Brits, the more I began to admire them.
I am Swedish by birth and the culture that I enjoyed
 and grew up in was (still is, perhaps?) very different.
I quickly understood that I had to try and adapt to
my new environment. Not only climate wise but
also what was and what wasn't ''cricket''.
(Cricket=acceptable behaviour and language)

My ex-partner's father was a military man and served
during the 2nd W.W as a reserve sergeant but as a soldier
during the first war.
He never spoke of it and although he was a very
regimented sort of a man, he was also kind, helpful
and loved to look after his grandson who was then
two years old. Come rain or shine, he would take
my son for long walks.
Gwyneth and I would drink cups of tea and chat about
this and that. Mainly chit chat, but every now and
then she would surprise me by bringing up quite deep and
soul-searching kinds of topics.
Although, truth be told, when we left the UK two years later
 to head back here to OZ, I still felt that they remained a
mysterious but very kind people.

Back in Australia I decided to do some research into
why ''only mad dogs and Englishmen go out in
the midday sun''.
I read book after book, watched numerous old
black and white ''war'' movies and old TV-series.
I collected old newspapers and magazines which
I sometimes found in second hand book stores.
I did a bunch of paintings from old photographs
and spent hours in the Library looking at images
from both wars.
 
This is a large painting I did from a photo I
found in an old TIME magazine. (St. Paul's)
How!@#!? did this building survive the Blitz?
Book after book that I read allowed me a fresh
new little glimpse into the very tenacious nature of the
British people.
The slogan ''Keep calm and carry on'' is not just
words because those words gave numerous people ''backbone'',
courage, tenacity, strength, hope, faith and the determination
to survive and make ''the rabbit run for his life''.

The above painting is titled ''Run rabbit, run.''
It is a very large painting that I painted
years ago when I was trying to get an insight into
the ''British Mindset".
(Here in OZ, one of the first catchphrases that I learnt
when I came to Australia was ''Bloody Poms!!!!"
It meant nothing to me and I have never used the
phrase although..... it may perhaps fit some people.)
During my research into the British Peoples
I discovered that during the 2nd W.W. the words 
''Run rabbit run rabbit, run, run, run!'', were words from a well-known
music hall song by the same title, which was
repurposed by the British peoples to mock Germans
and so boost their own morale.(Run Adolf, run Adolf, run, run, run.)

After all my studying and 15 years of marriage to a Brit,
I have come to admire a lot of facets of the British
Peoples.
Top of the list and in my view an extremely
necessary quality for all peoples to have is....drumroll please.
The ability to turn anything difficult, sad or painful
into an extraordinary bit of wisdom hiding behind a great
sense of humor.
Plus:
It boosts our immune system, boosts our mood,
makes us forget our pain momentarily, binds
us together and it releases endorphins in our brains.

*
My  pain may be the reason for somebody's laugh.
But my laugh must never be the reason for
somebody's pain.
(Charlie Chaplin)


Comedy is simply a funny way of being serious.
(Peter Ustinov)

A sense of humor is a major defense against
all kinds of troubles.
(Mignon McLaughlin) 


Harlequin, ink on paper

Explanation to the Rabbit painting.
The red in the background: the fires during the Blitz
The blue: the water trying to quench the fires
The green: all the parks being destroyed
The red rabbit: the crazy Rabbit causing all the chaos and death